To find out whether all sheets that contain content in a workbook have descriptive names and whether there are any blank sheets, use the Accessibility Checker. Give all worksheets unique names, and remove blank worksheets. If your spreadsheet has a high level of contrast between text and background, more people can see and use the content. You can also look for text in your spreadsheet that’s hard to read or to distinguish from the background. To find insufficient color contrast, use the Accessibility Checker. Use sufficient contrast for text and background colors. People who use screen readers sometimes scan a list of links. To determine whether hyperlink text makes sense as standalone information and whether it gives readers accurate information about the destination target, visually scan the workbook. To find all instances of missing alt text, use the Accessibility Checker.Īlt text helps people who can’t see the screen to understand what’s important in images and other visuals.Īdd meaningful hyperlink text and ScreenTips. Screen readers start reading any worksheet from cell A1. Screen readers also use header information to identify rows and columns. Screen readers keep track of their location in a table by counting table cells. Visually scan your tables to check that they don't have any completely blank rows or columns. To ensure that tables don’t contain split cells, merged cells, or nested tables, use the Accessibility Checker. Use a simple table structure for data only, and specify column header information. Make it easy for everyone to read your spreadsheet. The following table includes key best practices for creating Excel spreadsheets that are accessible to people with disabilities.Īvoid common accessibility issues such as missing alternative text (alt text) and low contrast colors. Test the accessibility of your worksheetsīest practices for making Excel spreadsheets accessible _CONFIG_lead_generation_code_ #mc_embed_signup(jQuery)) var $mcj = jQuery.Best practices for making Excel spreadsheets accessibleĬheck accessibility while you work in ExcelĪdd accessible hyperlink text and ScreenTips Visit the Academy of Natural Sciences of Drexel University in Philadelphia to view the Microsculpture: The Insect Portraits of Levon Biss exhibit from November 19, 2022, through April 23, 2023. Read the full write up of our Best of Wide Format Win in Big Picture Magazine here. “Our team’s ability to accurately reproduce the fine pigmented scales, velvet-like surface textures, saw-sharp mandibles, swirling patterns, and iridescent colors of the insects was a true testament to our skill and attention to detail.” The result was “life-like quality, vivid color, and perfect contrast from the jet-black background,” says Darren LoPrinzi, account manager at Color Reflections. Prior to printing, our team performed a detailed site survey and executed in-house testing to refine file and print settings. All the graphics were then machine-cut on a Zünd cutter and Miller welder, adding z-clips and spacers on the back for installation. Individual print panels of various insects were direct printed with an EFI Vutek H5 flatbed onto 6-mm black Sintra PVC board with a flood-white background. ![]() ![]() The lenticular murals were printed onto 3M Controltac IJ180Cv3 film with an HP Latex 3600 press and finished with 3M Scotchcal Matte Overlaminate 8520. Color Reflections brought the photos to life on nearly 800 square feet of graphics. ![]() British Photographer Levon Biss captures the breathtaking beauty of the microscopic forms of insects in high-resolution detail. ![]() The groundbreaking project presents insect specimens in a unique and original form for the public. In November of 2022, Color Reflections, led by Darren LoPrinzi, teamed up with Stephanie Gleit, the Senior Graphic Designer for the Academy of Natural Sciences of Drexel University in Philadelphia, to work on the stunning custom graphic installation for Microsculpture: The Insect Portraits of Levon Biss exhibit. What an honor! The Color Reflection Philly team was selected for Big Picture Magazine’s fifth annual Best of Wide Format Awards.
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